<div>For filmmaking related blogs, gear, planning, pre-production, production, and post-production.</div>

Filmmaking

<p>The use of miniature models in film dates back to 1902 when French filmmaker Georges Méliès used a model rocket for the now-iconic moon landing scene in <a href="https://www.imdb.com/title/tt0000417/">A Trip to the Moon</a>. When Star Wars came out in 1977, the use of miniature models took the grand ideas of George Lucas and made them a reality.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/1024x792/f2c56e2943/a-trip-to-the-moon-le-voyage-dans-la-lune-34e45f-1024-1.jpg" alt=""></p>
<p>Today's tutorial is intended to help VFX Supervisors, compositors, and filmmakers understand the process of shooting with miniatures on a green screen. We use a miniature and VFX collections like <strong><a href="https://www.actionvfx.com/collections/windy-snow-stock-footage">Windy Snow</a></strong> and <strong><a href="https://www.actionvfx.com/collections/free-snow-fx-stock-footage">free snow FX</a></strong> to create a Star Wars-style shot of the Millennium Falcon in Nuke and Unreal Engine.</p>
<p><strong>You'll learn:</strong></p>
<ul>
<li>How to shoot miniatures for the best result in post</li>
<li>What to look out for when compositing miniatures</li>
<li>How to composite miniatures in a CG environment</li>
<li>How to create a realistic CG environment in Unreal Engine (using <a href="https://quixel.com/">Quixel</a> assets)</li>
<li>Creating accurate textures and shadows on the miniature</li>
<li>Realistically compositing the live-action and CG footage in Nuke</li>
</ul>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/aeE7nokr07U" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p><strong>ActionVFX Assets Used:</strong></p>
<ul>
<li><a href="https://www.actionvfx.com/collections/windy-snow-stock-footage">Windy Snow</a></li>
<li><a href="https://www.actionvfx.com/collections/free-snow-fx-stock-footage">Free - Snow FX</a></li>
<li><a href="https://www.actionvfx.com/collections/free-snow-textures-stock-footage">Free - Snow Textures</a></li>
<li><a href="https://www.actionvfx.com/collections/ice-and-frost-stock-footage">Ice &amp; Frost</a></li>
<li><a href="https://www.actionvfx.com/collections/atmospheric-smoke-fog-stock-footage">Atmospheric Smoke &amp; Fog Vol. 1</a></li>
<li><a href="https://www.actionvfx.com/collections/atmospheric-smoke-fog-vol-2-stock-footage">Atmospheric Smoke &amp; Fog Vol. 2</a></li>
<li><a href="https://www.actionvfx.com/collections/steam-jets-stock-footage">Steam Jets</a></li>
</ul>
<p>If you found this tutorial helpful, help us on our road to 150K subscribers on YouTube!</p>
<p><strong><a href="https://www.youtube.com/@ActionVFXofficial">Subscribe on YouTube</a></strong></p>


Learn the pre-shoot, on-set, and compositing stages of a Star Wars shot using miniatures, Nuke, and Unreal Engine.

Miniatures in Production & Compositing (ft. Star Wars)

<p><strong>NO SPOILERS!</strong></p>
<h2>Why Environment Matters</h2>
<p>The Upside Down is a great example of how <a href="https://www.actionvfx.com/blog/how-to-composite-atmospheric-smoke-fog">environment</a> VFX can impact the tone of a story. Across all five seasons of <em>Stranger Things</em>, the Upside Down is one of the most iconic environments of any show I can think of. It &quot;<a href="https://www.netflix.com/tudum/articles/the-secrets-behind-designing-the-multiverse-of-stranger-things">looks like your worst nightmare</a> — but also mind-bendingly mirrors the characters’ reality.&quot;</p>
<p>The team built the Upside Down with a mix of practical FX and a lot of VFX. Here's CoSA's breakdown from Season 1:
<iframe width="560" height="315" src="https://www.youtube.com/embed/pO9d0q_Agw" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>(P.S. The VFX artists had some help from ActionVFX in later seasons!)</p>
<p>In this After Effects tutorial, Danasa teaches how to <a href="https://www.actionvfx.com/blog/how-i-recreated-dune-part-two-vfx-in-my-at-home-studio">creatively combine practical VFX elements</a> to build an environment inspired by the Upside Down.</p>
<h2>Tutorial Resources</h2>
<p>You can follow along for free by downloading the project files <strong><a href="https://cms.actionvfx.com/rails/active_storage/blobs/eyJfcmFpbHMiOnsibWVzc2FnZSI6IkJBaHBBcndJIiwiZXhwIjpudWxsLCJwdXIiOiJibG9iX2lkIn19--08b8a1e2acfe5f3f6ebbccb20e15a8f3ef389f4f/Upside%20Down%20Project%20Files.zip">here</a></strong>.</p>
<p>What's included:</p>
<ul>
<li>Background plate</li>
<li>Assets from <a href="https://www.actionvfx.com/collections/smoldering-surfaces-stock-footage">Smoldering Surfaces</a></li>
<li>Assets from <a href="https://www.actionvfx.com/collections/air-particles-stock-footage">Air Particles</a></li>
<li>Assets from <a href="https://www.actionvfx.com/collections/atmospheric-smoke-fog-vol-2-stock-footage">Atmospheric Smoke &amp; Fog Vol. 2</a></li>
</ul>
<h3>Collections Used:</h3>
<ul>
<li><a href="https://www.actionvfx.com/collections/smoldering-surfaces-stock-footage">Smoldering Surfaces</a></li>
<li><a href="https://www.actionvfx.com/collections/free-burn-mark-textures-vol-1-stock-footage">Free - Burn Mark Textures Vol. 1</a></li>
<li><a href="https://www.actionvfx.com/collections/atmospheric-smoke-fog-vol-2-stock-footage">Atmospheric Smoke &amp; Fog Vol. 2</a></li>
<li><a href="https://www.actionvfx.com/collections/air-particles-stock-footage">Air Particles</a></li>
<li><a href="https://www.actionvfx.com/collections/foreground-smoke-fog-stock-footage">Foreground Smoke &amp; Fog Vol. 1</a></li>
</ul>
<h2>What You'll Learn:</h2>
<ul>
<li>How to use <strong>Nodal pan camera tracking</strong> to composite elements into the shot</li>
<li>How to create glowing portal FX</li>
<li>How to add floating atmospheric particles in post</li>
<li>How to create fake vine FX using <a href="https://www.actionvfx.com/blog/three-practical-uses-for-noise-the-swiss-army-knife-of-vfx">fractal noise</a></li>
</ul>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/iKo7NGaeBOY" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>If this was helpful, be sure to <strong><a href="https://www.youtube.com/@ActionVFXofficial">subscribe to our YouTube channel</a></strong> and hit the notification bell so you don't miss any tutorials!</p>


In this tutorial, you'll learn how to combine VFX assets to create an environment like the Upside Down in Stranger Things.

Stranger Things Upside Down Environment VFX | After Effects Tutorial

<p>In most VFX libraries, fire stands still.
With <a href="https://bit.ly/4nQwfAr">Windy Fires</a>, it doesn’t.</p>
<p>This new collection from ActionVFX was built specifically for shots in motion; explosions racing past camera, fire rolling across vehicles, or flames reacting to atmospheric re-entry.
49 practical elements, captured in real-world wind conditions, <a href="https://bit.ly/4nQwfAr">Windy Fires</a> brings cinematic movement that CG can’t fake.</p>
<p>But what makes it work is it's authenticity.</p>
<p>We sat down with Zac VanHoy, Asset Development Supervisor, to talk about the production behind this collection and what makes these elements different.</p>
<h3>Fire in Wind</h3>
<p><em>“I wanted to bring something fresh to our library that I've never seen done anywhere else,”</em> Zac says.</p>
<p>Where simulations struggle to deliver natural variance, practical fire reacts in unexpected ways. That’s exactly what makes it feel real and why we knew we had to shoot it live.
It was about solving a visual gap many artists face: stock fire that doesn’t respond to motion.</p>
<h3>Why Film Practically?</h3>
<p>“CG has its place, but real fire gives you behaviour you’d never design on your own” Zac explains.</p>
<p>With a full FX team on set and a pyrotechnician leading the fire rigs, we dialed in specific fuel types and wind speeds to push flame behavior across a wide range — all while maintaining safety and control.</p>
<p><em>&quot;The biggest challenge we faced was getting the fire to burn large enough and long enough in the high winds. Simply putting fuel on a surface wasn't going to work. Our pyrotechnician brought some great ideas to the table and helped us solve this problem using specific types of fuel and foam to soak in the fuel and give us a longer burn time in the strong winds.&quot;</em>
<img src="https://a-us.storyblok.com/f/1002378/2000x1333/1d0df22ac7/actionvfx-assets-filmed-practically.jpg" alt=""></p>
<h3>Capturing Fire That Feels Dangerous</h3>
<p>Filmed with the RED V-RAPTOR 8K, every element was captured with cinematic exposure, controlled motion blur, and high-speed slow motion where needed. ND filters were key to preserving detail while maintaining depth of field and clean ISO ranges.
<em>&quot;The benefit of filming real fire is that you don't have to worry about it not looking real, because that's impossible.&quot;</em></p>
<p><strong>The collection includes:</strong></p>
<p>6 angles (including at-camera shots)</p>
<p>Multiple wind intensities</p>
<p>Real-time and slow-motion options</p>
<p>Pre-keyed EXR, ProRes 4444, and R3D</p>
<p>2K, 5K, and 6K resolutions</p>
<p>Paired with smart compositing, real fire offers depth and light play that’s hard to fake. And when you’re building sequences under tight timelines, that realism helps speed up creative approvals and reduce the need for simulation clean-up.</p>
<h3>Final Thoughts from Zac</h3>
<p><em>&quot;I hope they feel excited and thankful for time saved. I hope they feel the excitement because the assets help them take there shot to a level that exceeds their expectations and I hope they feel thankful because the assets help save them time and money from having to do sims or higher on-set pyrotechnicians.&quot;</em></p>
<h3>Explore the Collection</h3>
<p><a href="https://bit.ly/4nQwfAr">Windy Fires</a> is available now.
Grab production-ready fire that moves with your shot.</p>
<p>View the Collection → <a href="https://bit.ly/4nQwfAr">Windy Fires</a></p>
<p>49 clips. Pre-keyed. Cinematic motion. Real wind.</p>
<p>Now available in EXR, ProRes, and R3D — in 2K, 5K, and 6K.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/2000x1333/0aa67089f0/windy-fires-production.jpg" alt=""></p>


Go behind the scenes of Windy Fires with Zac VanHoy and discover how ActionVFX captured real fire in high wind for cinematic, production-ready VFX assets.

Windy Fires: The Most Dynamic Fire VFX Assets We’ve Ever Created

Fire in motion brings a different kind of intensity.

<p>In our latest tutorial, we break down practical techniques for compositing blood that actually feels grounded — whether it’s on walls, floors, props, or people. If you want your scene to hold up in motion and match the lighting and texture of the environment, these are the tricks you’ll need.</p>
<p>And yes — you’ll want to <a href="https://youtu.be/pqgueXVnspQ">watch the full tutorial</a>. But here are some key insights to get you started.</p>
<h3>1. Choose The Right Assets</h3>
<p>Not all blood elements are created equal.
If you’re using static textures or low-res clips, your shot will always feel flat.</p>
<p>ActionVFX blood assets are high-resolution and constantly moving, which means they ripple, spread, and distort in realistic ways. Whether you’re using pools or sprays, this movement is key to selling the effect — especially in slow motion or high-action sequences.</p>
<p>Looking for maximum flexibility? Go for the EXR collections, which offer:</p>
<ul>
<li>
<p>Lighting passes for realistic integration</p>
</li>
<li>
<p>Greater control over highlights and shadows</p>
</li>
<li>
<p>Scale flexibility without losing quality</p>
</li>
</ul>
<h3>2. Use the Right Color Space</h3>
<p>This might seem basic, but it’s often overlooked.</p>
<p>Each ActionVFX asset collection comes with a listed color space — make sure to match it inside your compositing software (Nuke, After Effects, Resolve, etc).</p>
<p>If you're in the wrong color space, your blood will either clip, crush, or look completely disconnected from the scene. Get this right early and save yourself the grade headaches later.</p>
<h3>3. Match Practical with Digital</h3>
<p>Whenever possible, try to add practical blood to your set — even just small amounts.</p>
<p>Why? Because matching your digital blood to real-world drips or stains helps anchor the effect. You’re no longer starting from a blank surface, you're blending, enhancing, and extending what's already there.</p>
<p>This makes your comp feel more like a clean extension than a bold insert.</p>
<h3>4. Integrate Lighting, Not Just Color</h3>
<p>Blood is reflective. It catches highlights. It shifts with ambient tone.</p>
<p>To push your realism, use lighting passes (available in EXR formats) or create your own with blend modes.
Here’s how:</p>
<ol>
<li>Duplicate your blood layer</li>
<li>Tint it with a soft red-orange glow</li>
<li>Add a wiggle expression to opacity</li>
<li>Set the blend mode to Add or Linear Dodge</li>
</ol>
<p>This gives your blood subtle specularity that responds to the light source, making it feel like it’s really on the surface, not floating above it.</p>
<h3>5. Break It Up — Avoid the “Sticker” Look</h3>
<p>Too often, blood elements are just slapped onto a surface with no integration.
To avoid that, try these:</p>
<ul>
<li>Use corner pinning to follow floor or wall angles</li>
<li>Add subtle warp/deform effects for pooling behavior</li>
<li>Mask edges with soft feathering and real-world grime</li>
<li>Match grain and motion blur to your plate</li>
</ul>
<p>Even better: use ActionVFX assets filmed from multiple angles, so you can pick the one that fits your shot’s perspective.</p>
<h3>Want to See It in Action?</h3>
<p>We cover all of this in the full tutorial, using blood pool elements, camera-tracked surfaces, and lighting passes to build a clean, believable composite from start to finish.</p>
<p>🎥 Watch the full tutorial now:
<iframe width="560" height="315" src="https://www.youtube.com/embed/pqgueXVnspQ" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h3>Enter the Goremania Giveaway</h3>
<p>While you’re here — don’t miss Goremania.
You could win the ENTIRE <a href="https://bit.ly/40etbW0">Blood &amp; Gore Category</a> plus $100 in ActionVFX store credit</p>
<p>Every action you complete earns you more entries.
Plus: all gore assets are 20% off for the entire month of October.
🎯 Enter now → https://bit.ly/goremania_part2</p>
<p>Want your shot to feel brutal, cinematic, and completely unskippable?
Start with smart compositing. And always choose the assets that hold up under pressure.</p>
<p><strong>#MadeWithActionVFX</strong></p>


Pro tips for realistic blood compositing in VFX—lighting, integration, and asset choice that sells the shot.

How To Composite Blood Like A Pro (Without the Mess)

Creating believable blood in VFX is about how you treat it in the shot.

<p>Creating realistic fire VFX doesn't have to mean expensive simulations or endless render times. With the right assets — and the right approach — you can build cinematic fire entirely in post. And if you’re just getting started or want a testbed to practice your comp, the <a href="https://bit.ly/3AAwUlL">ActionVFX Practice Footage Library</a> is a great place to start.</p>
<p>These free, production-style plates let you hone your skills on real-world footage without the licensing headaches — and they’re perfect for testing fire composites, light interactions, and scene-building workflows.</p>
<p>Now let’s break down what makes fire believable — and how to make it work in your shots using only ActionVFX stock elements.
<a href="https://youtu.be/lL2iH9TjNVw?si=nLnk-9iCv5nztVqk">Watch Full Tutorial</a> For Support.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/4096x2160/722505ce95/pf0086-01_clip-1_bmdgen5_4k-5-36-53-16.jpg" alt=""></p>
<p><a href="https://www.actionvfx.com/collections/man-crawling-in-burning-room">Download The Practice Footage</a></p>
<h3>1. Skip the Sim — Use Real Fire Footage</h3>
<p>Simulations can be time-consuming and unpredictable. If you’re working solo or on a tight deadline, pre-keyed fire footage saves you hours of work — and arguably delivers a more realistic result. That’s because these elements were captured in-camera, under real lighting, with natural physics baked in.</p>
<p>ActionVFX fire bursts, ground fire, embers, and smoke layers build a multi-depth composite. Real fire footage doesn’t just look better, it behaves better.</p>
<h3>2. Start With a Solid Camera Track</h3>
<p>This is crucial. If your scene has camera movement — especially handheld — a 2D planar track isn’t enough. Fire needs to move with the environment. In this shot, the artist used a full 3D camera solve via SynthEyes, but most software (After Effects, Blender, Nuke, Resolve) has built-in 3D tracking tools.</p>
<p>The goal is to lock your fire to the world, not the frame. Even slight parallax issues will break the illusion.</p>
<h3>3. Roto Your Foreground — It’s Worth It</h3>
<p>Even if you’re not doing face replacement or keying, rotoscoping is essential in fire composites. Without it, your flames sit awkwardly on top of the subject, destroying the depth of your scene. In this tutorial, the subject was rotoscoped using a simple mask — enough to let fire elements slip behind and “live” inside the shot.</p>
<p><strong>Pro tip</strong>: keep your roto loose if the fire is fast-moving. It adds to the realism and saves time.</p>
<h3>4. Relight the Subject — This Is What Sells It</h3>
<p>This is where most fire composites fall apart — the fire is there, but the subject doesn’t react to it. Real fire is dynamic. It flickers, it wraps, and it casts light that moves. If your character isn’t being lit by the flames, the whole illusion breaks.</p>
<p><strong>How to do it?</strong>
First, the footage was brought into DaVinci Resolve Studio, where a Depth Map was generated to isolate the subject from the background.</p>
<ol>
<li>
<p>Using that depth information, the scene was exported as two relight maps — one from the left and one from the right — to simulate firelight wrapping around the actor.</p>
</li>
<li>
<p>Back in After Effects, each relight map was placed above the footage and set to Add blend mode.</p>
</li>
<li>
<p>Each layer was tinted with a warm fire hue (orange/yellow) to match the flame source.</p>
</li>
<li>
<p>Then a wiggle expression was applied to the opacity, simulating the chaotic, unpredictable flicker of real fire.</p>
</li>
</ol>
<p>This technique creates a reactive lighting effect that behaves more like practical on-set fire — shifting intensity and casting realistic color back onto the actor. It also allows you to control the timing and behavior of each light pass independently, adding nuance and depth.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/4096x2160/da3a589628/pf0086-01_clip-1_bmdgen5_4k-5-36-53-16-trer.jpg" alt=""></p>
<h3>5. Don’t Skip the Glow Pass</h3>
<p>This technique adds depth and scale. In the example, the artist uses a soft, warm glow just behind the masked subject to simulate light spill and ambient fire bloom.</p>
<p>It anchors the fire to the environment and makes it feel like it’s really pushing out light and heat.</p>
<h3>6. Distortion, Sparks, and Smoke — Fire’s Real Behavior</h3>
<p>To go beyond just “looking hot,” your fire composite needs environmental reaction.
In this shot, that includes:</p>
<ul>
<li><strong>Heat distortion</strong>: subtle warp to mimic rising heat</li>
<li><strong>Floating embers</strong>: drifting sparks give a sense of atmosphere and movement</li>
<li><strong>Smoke layering</strong>: softens edges and fills the volume</li>
</ul>
<p>Use distortion sparingly — too much can ruin your plate — but it’s essential for high-heat shots.</p>
<h3>7. Match Your Grade (Then Grade It Again)</h3>
<p>Trying to force each fire clip to match your plate can lead to inconsistency. Instead, build your composite first — fire, glow, light, smoke, distortion — then apply a unified color grade on top.</p>
<p>This brings everything into the same color space, simulates lens behavior, and helps your composite feel like one shot, not layers stacked together.</p>
<h3>Assets Used</h3>
<p>Every element in this shot came from ActionVFX:
🔥 <a href="https://bit.ly/46woqtQ">Fire Bursts</a>
🔥 <a href="https://bit.ly/46woqtQ">Ground Fire</a>
💨 <a href="https://bit.ly/3dDQhiJ">Smoke Plumes</a>
✨ <a href="https://bit.ly/3edgULF">Embers &amp; Sparks</a>
🌫 Heat Distortion Overlays</p>
<p>Whether you're in Nuke, After Effects, DaVinci Resolve, or Blender, these assets are drag-and-drop ready — built to integrate seamlessly with your workflow.</p>
<h3>Watch the Full Breakdown</h3>
<p>Want to see how this all comes together in action?
<a href="https://youtu.be/lL2iH9TjNVw?si=nLnk-9iCv5nztVqk">Watch Now</a>
We’ve put together a complete tutorial walking through every step — from 3D camera tracking to glow passes, heat distortion, and fire relighting using ActionVFX assets.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/1280x720/6b0261a5f3/makefirevfxlookreal.jpg" alt=""></p>
<p>🔥 No simulations. No guesswork. Just practical, repeatable fire compositing that works.
👉 <a href="https://youtu.be/lL2iH9TjNVw">Watch the Tutorial Now</a> and start building better fire shots today.</p>


Discover how to build realistic fire scenes using VFX footage — no simulations needed. Learn tracking, relighting, glow, and distortion techniques in our latest tutorial.

Creating Realistic Fire Using VFX Stock Footage

Learn how to composite fire that feels real, all using ActionVFX assets.

<p>When the ActionVFX team kicked off our recent asset production, we were focused on solving a real production gap. Artists were having to warp flat wounds, animating stills, or leaning on time-consuming paint overs just to sell a burn. We knew we could offer something smarter: realistic, animated practical burn wounds that react and disturb. That’s how we came to create the <a href="https://bit.ly/4nJ0BoR">Burning Flesh collection</a>:</p>
<blockquote>
<p>&quot;We knew we could do something that would be animated and grotesque and would just get something really fresh and new that would fit well with like a body on fire or burn wounds&quot;.
<em>Zac VanHoy, ActionVFX’s Asset Development Supervisor.</em></p>
</blockquote>
<p>Our goal was to create an asset that integrates into real workflows across horror, action, sci-fi — and sells the pain.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x1080/7ff69b64ae/burningflesh.gif" alt=""></p>
<h2>These Wounds Move</h2>
<p>Burn wounds in VFX are more than surface damage. They ripple, crackle, bubble. They respond to trauma, heat, movement. We built the <a href="https://bit.ly/4nJ0BoR">Burning Flesh collection</a> to do the same.
They’re fully animated practical elements, shot with blistering realism in high-resolution and designed to live inside your composite. Some assets pulse. Others shred or peel. All of them are deeply textured and deeply uncomfortable.
This makes them perfect for:</p>
<ul>
<li>Body-on-fire shots</li>
<li>Explosive aftermaths</li>
<li>Horror reveals</li>
<li>Sci-fi weapon burns</li>
<li>or supernatural attacks</li>
</ul>
<p>Because the elements are already reacting to heat and light, they comp in naturally. You spend less time selling the effect and more time building the story.</p>
<h2>Filming Practical Burning Flesh FX</h2>
<p>Making this collection meant committing to the kind of practical shoot you don’t fake.</p>
<blockquote>
<p>“We also used some mixtures that you might would find in like a school project volcano… to get some fizzing and bubbling as well.”
<em>Zac VanHoy, ActionVFX’s Asset Development Supervisor.</em></p>
</blockquote>
<p><img src="https://a-us.storyblok.com/f/1002378/2000x1333/453ec359fe/fx-pros.jpg" alt=""></p>
<p>Collaborating with FX pros to build layered prosthetics and heat-reactive materials that would behave like burning flesh.</p>
<p>This shoot required full precision: prosthetics were timed to deform under heat; lighting rigs were calibrated to expose the wound textures at multiple burn stages. With controlled fire sources, blistering compounds, and high-speed capture, we were able to simulate how skin bubbles, splits, and chars in intense scenarios.</p>
<blockquote>
<p>“It definitely gives you something that you're not going to be able to easily simulate in CG.”
<em>Zac VanHoy, ActionVFX’s Asset Development Supervisor.</em></p>
</blockquote>
<h2>Realistic Burn FX</h2>
<p>Burning Flesh is built for the kinds of moments that leave an audience stunned.
We made this because we saw too many burn effects fall flat. Zac VanHoy, our Asset Development Supervisor, led this project from early tests through to post-production. What came out of it is a toolset that bridges creativity and technical control.</p>
<blockquote>
<p>&quot;It’s something that is shot for real which always is a leg up… real fire, real explosions that we film… there’s still little nuances that you are going to get, imperfections that you're going to see when using and filming real objects and assets.&quot;</p>
</blockquote>
<p>It hits that rare sweet spot: gross enough for horror, controlled enough for feature work, flexible enough for game cinematics, shorts, or commercial VFX.</p>
<p><strong>Ready to Use</strong>
The Burning Flesh collection is live now. Every clip is built with artists in mind, designed to work across After Effects, Nuke, Resolve, Fusion, Unreal, or whatever your pipeline calls for.
<em>Explore the collection:</em> 👉 <a href="https://www.actionvfx.com/collections/burning-flesh-stock-footage?position=1&amp;query_id=73d3235494df8cd40fcb756b62dc08f1">Burning Flesh Stock Footage Collection</a></p>
<p>Tag us <em>#MadeWithActionVFX</em> with your results, we love seeing how you use the assets.</p>
<p>If your next shot calls for trauma, tension, or something that makes people flinch — ActionVFX has the assets you need.</p>


Realistic burning flesh VFX assets—filmed practical effects to save time, boost realism, and outperform CG in fire and burn scenes.

BTS: How We Created the Burning Flesh Collection for VFX Artists

Whether you’re comping a post-explosion trauma shot or a body-on-fire horror sequence, nothing kills the realism faster than a wound that just sits there, unreactive to heat, motion, or lighting. The market is filled with flat textures, static decals, or digital paintovers that fall apart once you try to bring them to life.  So we built something new.

<p>If you’ve ever keyed out a green screen and ended up with your actor looking like they just stepped out of a toxic waste barrel — yeah, I’ve been there too.</p>
<p>That’s also a great way to make the audience go, <em>“Oh... that’s fake.”</em>
Which is also a great way to make your client or supervisor go, <em>“Hey, you’re fired.”</em></p>
<p>So let’s fix that.</p>
<p>If you want your composites to look realistic, getting a clean key is non-negotiable. In this tutorial, we’ll walk through 5 key tips (pun unfortunately intended) for better chroma key results — using After Effects and Keylight as our tool of choice.</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/L1_Wx-IxsAA" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>Use a Properly Lit Green Screen</h2>
<p>Before you even touch your software, the most important factor in getting a clean key is how your footage was shot.</p>
<p>First rule: <strong>make sure your green screen is evenly lit.</strong> No shadows, no bright spots, no weird gradients creeping across the background. Just a clean, flat green. Uneven lighting is one of the biggest causes of fringing and artifacts during keying.</p>
<p>Next, think about distance. The closer your subject is to the screen, the more green spill is going to bounce onto them. By giving your subject more space from the background, you cut down on that glow before it even starts — and your keyer will have a much easier time.</p>
<blockquote></blockquote>
<p><strong>Bonus:</strong> Need some properly shot green screen footage to practice with? We've got a free <a href="https://www.actionvfx.com/practice-footage">Practice Footage Library</a>. It has several green screen shots to help you practicing keying and compositing.</p>
<h2>When to Use a Blue Screen Instead of a Green Screen</h2>
<p>In most cases, green screens are the go-to. They tend to key out cleanly in daylight scenes and play nice with natural lighting.</p>
<p>But there are times when blue makes more sense:</p>
<ul>
<li>If your actor is wearing green, obviously.</li>
<li>If you’re shooting a nighttime or low-light scene — blue screens retain shadows better and preserve more detail in dark areas.</li>
</ul>
<p>So if green’s giving you trouble, it might not be your fault. Switch colors when it makes sense.</p>
<h2>How to Use Keylight in After Effects</h2>
<p>Once you’ve got solid footage, it’s time to key — and if you’re in After Effects, Keylight is your friend. It’s powerful, free, and built right in.</p>
<p>Here's a quick breakdown:</p>
<ul>
<li><strong>Screen Colour:</strong> Use the eyedropper to select your background.</li>
<li><strong>Screen Gain:</strong> Controls how aggressive the key is. Higher = more background removal (and more danger to your subject).</li>
<li><strong>Screen Balance:</strong> Helps fix uneven lighting by adjusting the color channels.</li>
<li><strong>Clip Black / Clip White:</strong> Fine-tune the matte edges. Clip Black removes leftover junk; Clip White locks in the solids.</li>
<li><strong>Screen Matte View:</strong> Flip to this mode to see your alpha channel. It’ll show you what’s really being keyed — which is super helpful for fixing trouble spots.</li>
</ul>
<p>Take your time here. Zoom in. Toggle between modes. This is where <em>“meh”</em> keys become production-ready.</p>
<h2>Kill the Spill</h2>
<p>Even with solid footage and a clean matte, green spill happens — especially around hair, fabric edges, or shiny surfaces.</p>
<ul>
<li>Keylight has built-in spill suppression controls. Use them.</li>
<li>Tweak these <strong>after</strong> your matte is dialed in.</li>
<li>Desaturate or rebalance the edges to neutral tones.</li>
<li>Watch out for skin tones — don’t trade green glow for zombie skin.</li>
</ul>
<h2>Garbage Mattes: Not Glamorous, But Super Useful</h2>
<p>Garbage mattes help your keyer focus only on the subject. That means:</p>
<ul>
<li>Faster rendering</li>
<li>Less chance of noise and edge errorsFinal Polish: Matte Cleanup &amp; Edge Refinement
Once your key is mostly working, flip back to Screen Matte View and check your edges.</li>
</ul>
<h2>Final Polish: Matte Cleanup &amp; Edge Refinement</h2>
<p>Once your key is mostly working, flip back to <strong>Screen Matte View</strong> and check your edges.</p>
<ul>
<li>Use Clip Black/White to tighten things up.</li>
<li>Look for semi-transparent fuzz or inconsistent edges — especially in hair or fine detail.</li>
<li>You want clean, solid separation. No gray halos. No crunchy outlines.</li>
</ul>
<p>This last step takes time, but it’s the difference between <em>“that’s obviously keyed”</em> and <em>“wait... that’s composited?”</em></p>
<h2>Practice Green Screen Keying</h2>
<p>Want to practice? Download a few clips from the <strong><a href="https://www.actionvfx.com/practice-footage">Practice Footage Library</a></strong> (500+ professionally-shot practice clips for compositors) and give it a try!</p>
<p>If you're unfamiliar with ActionVFX, we house the world's #1 trusted library of professional-grade VFX stock footage (things like fog, debris, explosions, fire, and more).</p>
<p><strong><a href="https://actionvfx.com/products">Explore our library</a></strong></p>
<p><strong>ActionVFX socials:</strong>
<a href="https://www.youtube.com/@ActionVFXofficial">YouTube</a> - <a href="https://www.facebook.com/actionvfx/">Facebook</a> - <a href="https://www.instagram.com/actionvfxofficial/">Instagram</a> - <a href="https://twitter.com/actionvfx?lang=en">X</a> - <a href="https://www.tiktok.com/@actionvfxofficial?lang=en">TikTok</a> - <a href="https://www.linkedin.com/company/actionvfx">Linkedin</a></p>


6 easy tips for cleaner green screen keys in After Effects—learn how to light, key, suppress spill, and clean up your matte for pro-level results.

How to Fix Bad Green Screen Footage | Pro Chroma Key Tips for Cleaner VFX

<p>You’ve seen it in blockbusters. You’ve seen it in high-end streaming shows. You’ve even seen it in commercials, trailers, and indie films.</p>
<p>You just didn’t know it.</p>
<p>That thing is VFX Stock Footage. No, not the cheesy kind with people with fake smiles drinking from an empty mug. We’re talking VFX Stock Footage: real, high-quality video elements designed for compositors. We're talking about real footage or renders of effects like fire, smoke, fog, rain, and debris that are built for easy use in visual effects shots.</p>
<p>VFX stock footage is one of the most widely used, yet least talked-about tools in VFX. And it’s not because it’s a shortcut. It’s because—when used well—it’s invisible.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/384711376a/rain_car_compv2.jpg" alt="">
<em>Try to spot the VFX stock footage in this shot. If you can't, <a href="https://www.actionvfx.com/blog/after-effects-tutorial-how-to-create-realistic-rain-at-night">check out this video</a>.</em></p>
<p>In a recent video, ActionVFX founder Rodolphe Pierre-Louis breaks down what VFX stock footage is, how it’s used, and why the world’s top studios rely on it to meet deadlines, maintain quality, and stay under budget.</p>
<p>Here’s a look at what VFX stock footage is, how it's used, and why the world's top studios rely on it to meet deadlines, maintain quality, and stay under budget.</p>
<p>If you’re new to VFX, or a studio manager wanting to learn more about how your post-production works (or just wondering why these elements exist in the first place), this is for you.</p>
<h2>So… What <em>Is</em> VFX Stock Footage?</h2>
<p>It goes by a bunch of names—VFX elements, stock assets, compositing elements—but the idea is the same:</p>
<p><strong>VFX stock footage is real footage or renders of effects like fire, smoke, fog, rain, and debris that are built for easy use in visual effects shots.</strong></p>
<p>Usually they’re filmed practically. Other times they’re high-end simulations rendered out and prepped for compositing. The point is, they’re already built with post-production in mind.</p>
<p>You’re not starting from scratch. You’re starting from something ready to go.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/2000x1125/2d09b0068c/actionvfx-blood-vfx-bts.jpg" alt=""></p>
<h2>Why Does Everyone Use It?</h2>
<p>Here’s the thing: you could build every single VFX element yourself. You could simulate every flame, shoot every dust burst, or spend a few hours in Embergen tweaking ash trails.</p>
<p>But no one actually works like that—because it’s not realistic.</p>
<p>(P.S. That's true even when their marketing campaigns claim they did everything themselves. More on that later...)</p>
<h3>Turnaround Times Matter</h3>
<p>On real productions, time isn’t a vague concept. It’s a schedule. Deadlines are tight, shots pile up fast, and you need to move.</p>
<p>When you can grab a real explosion filmed from 10 different angles, comp it into your scene how you want it, and keep rolling? That’s a win.</p>
<h3>Budgets Are a Thing</h3>
<p>Even the biggest studios have limits. Simulations and FX-heavy shoot days aren’t cheap. If you can get the same visual result with a $100 asset instead of an $8,000 setup, that’s just good math.</p>
<p>Don't believe us? <strong><a href="https://www.actionvfx.com/blog/godzilla-minus-one-vfx-oscar-on-a-budget">That's how <em>Godzilla: Minus One</em> got an Oscar for Best Visual Effects on a $15 million budget</a></strong>—Shirogumi used ActionVFX stock footage.</p>
<p>You can watch our interview with the team at Shirogumi here:
<iframe width="560" height="315" src="https://www.youtube.com/embed/rocH7GZIll0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h3>Flexibility Wins</h3>
<p>Need three versions of the same fog pass? Want to test different explosion types in your comp? VFX stock footage gives you the ability to explore options without the overhead of reshoots or re-sims.</p>
<p>It’s not about cutting corners. It’s about working smarter.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x994/d033c373d6/actionvfx-dust-explosion-bts.jpg" alt="">
<em>Our team films the explosions for you. You just put them into your shot.</em></p>
<h2>“But Isn’t That Cheating?”</h2>
<p>Only if you believe building everything yourself is a badge of honor.</p>
<p>The truth is, <strong>stock assets are one of the most widely used tools in VFX—period.</strong> And for good reason. It helps you get better results, faster. And if you do it right, no one will know it was stock to begin with.</p>
<p>You’re not cheating. You’re being efficient.</p>
<p>And as Bryan Haines, Senior Compositor from Crafty Apes once put it:
<em>“ActionVFX gets me home to see my family.”</em></p>
<p>Hard to argue with that.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x1080/589b8eae35/stranger-things-bts-vfx.jpg" alt="">
<em>An ActionVFX muzzle flash asset in Stranger Things Season 4.</em></p>
<h2>But What About CG vs. Real?</h2>
<p>Let’s clear this up.</p>
<p>Most of our elements are shot practically—real fire, real smoke, real debris. Some others are simulated, rendered, and delivered in a way that gives you more control and consistency.</p>
<p>Both are valid. Both have their place. <strong>What matters is that they work in the shot.</strong></p>
<p><img src="https://a-us.storyblok.com/f/1002378/2048x1080/390d96c3dc/explosion-actionvfx-bts.jpg" alt=""></p>
<p>There’s a whole camp of people who love to say “we don’t use CGI” in their marketing videos, but the truth is… most of them do. They just don’t call it that. (Yes, we're looking at you, Tom Cruise...)</p>
<p>(If you don't know what we're talking about, sorry to burst your bubble, but <a href="https://www.youtube.com/watch?v=7ttG90raCNo&amp;list=PLgdTaHO8FLEve_XFiRBEcOSkRdd-Txjne">almost all the jets in Top Gun: Maverick are CG</a>.)</p>
<p>The best artists care less about how an element was created, and more about what it helps them say in the scene.</p>
<h2>Where Do You Get This Stuff?</h2>
<p>You can shoot it yourself. You can build your own sims. But if you’d rather skip that and get straight to the part where your shot looks good, there’s ActionVFX.</p>
<p>We’ve got:</p>
<ul>
<li>Over 12,000 professional-grade elements</li>
<li>Most elements filmed practically</li>
<li>Everything built for compositors</li>
<li>New collections added every month</li>
</ul>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x823/240438b0ca/free_vfx_and_pfl.jpg" alt=""></p>
<p>Whether you or your team is working in After Effects, Nuke, Blender, Resolve, or something else, these elements drop in and get the job done.</p>
<p>👉 <strong><a href="https://actionvfx.com/products">Browse our library</a></strong></p>
<p>Watch our CEO's explanation here:
<iframe width="560" height="315" src="https://www.youtube.com/embed/3HrxAAcB2dM" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p><strong>ActionVFX socials:</strong>
<a href="https://www.youtube.com/@ActionVFXofficial">YouTube</a> - <a href="https://www.facebook.com/actionvfx/">Facebook</a> - <a href="https://www.instagram.com/actionvfxofficial/">Instagram</a> - <a href="https://twitter.com/actionvfx?lang=en">X</a> - <a href="https://www.tiktok.com/@actionvfxofficial?lang=en">TikTok</a> - <a href="https://www.linkedin.com/company/actionvfx">Linkedin</a></p>


Discover how VFX stock footage helps professional VFX artists create high-quality shots faster, cheaper, and more efficiently.

What is VFX Stock Footage?

<p>The <em>Dune</em> films have some of the most visually stunning effects in modern cinema, so when I saw <em>Dune: Part Two</em> nominated (and winning!) Best Visual Effects at the Oscars, I knew I had to make something inspired by it.</p>
<p>Armed with a few simple materials, a green screen, and some <a href="https://actionvfx.com/products">assets from ActionVFX</a>, I created my own Dune-inspired shot in my at-home studio. Here’s how I did it.</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/Hw7r4Dwg3TE" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>Step 1: Building the Filt Plug for the Stillsuit</h2>
<p>If you’ve seen <em>Dune</em>, you’ll recognize the Filt Plug— the small black tube that connects from the back of the head to the nostrils in the stillsuit. You can buy them for cosplay, but I wanted the challenge of making one myself.</p>
<p>So, I took a trip to Lowe’s and found exactly what I needed: flexible tubing and a 90-degree connector. Back at my workspace, I:</p>
<ul>
<li>Cut the tubing a little longer than necessary.</li>
<li>Trimmed the sharp point off the connector.</li>
<li>Heated and molded the tubing to fit my face (without burning myself, thankfully).</li>
<li>Adjusted the fit by bending it over my ear and trimming the excess.</li>
</ul>
<p>With that, the Filt Plug was done! Next, I grabbed my shemagh from my airsoft days, and it was time to set up the shot.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x1080/d0d5cb2e8c/dune-diy-filt-plug.jpg" alt=""></p>
<h2>Step 2: Lighting and Filming</h2>
<p>Lighting plays a massive role in selling the illusion. To match the <em>Dune</em> aesthetic, I set up:</p>
<ul>
<li>A strong light over my shoulder to mimic the harsh desert sun.</li>
<li>An LED panel with a softbox in front of me for subtle fill lighting.</li>
<li>Tube lights to evenly light the green screen.</li>
<li>A box fan to add a little movement for realism.</li>
</ul>
<p>To create the effect of dried skin from the desert air, I relied on my lack of a skincare routine—finally, a benefit! With everything in place, I recorded multiple takes, eventually choosing the most natural-looking performance.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x1080/5edb56b313/dune-diy-vfx-bts.jpg" alt=""></p>
<h2>Step 3: Keying and Compositing the Shot in After Effects</h2>
<p>Once filming was done, I moved into After Effects to composite everything together. Here’s how I built the scene:</p>
<ul>
<li><strong>Pre-composing</strong> – The footage was shot in 6K, but working at that resolution isn’t practical or fast. I pre-composed it so After Effects would treat it as 2K when applying effects.</li>
<li><strong>Keying the Green Screen</strong> – Using the built-in Keylight plugin, I removed the background and adjusted the alpha contrast.</li>
<li><strong>Flipping the Background for Lighting Consistency</strong> – Since my highlights were on the left and the background’s were on the right, I flipped the desert plate horizontally to match.</li>
</ul>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x1080/c6ee29e26e/dune-movie-bts.jpg" alt=""></p>
<h3>Adding the Sandstorm</h3>
<p>To create the iconic dust storms of Arrakis, I had to get creative. By repurposing <a href="https://www.actionvfx.com/collections/blizzard-snow-stock-footage">Blizzard Snow</a> assets from ActionVFX, I got exactly what I was looking for. With a few adjustments:</p>
<ul>
<li>I flipped them horizontally to match the wind direction.</li>
<li>Used Unmult to remove the black background.</li>
<li>Tinted the snow an orange-brown hue.</li>
<li>Staggered multiple layers with different scale, color, and luminance to add depth.</li>
</ul>
<p>To maintain visibility of the dunes, I duplicated the background, brought it above some of the Blizzard Snow layers, masked only the bottom, and feathered it. This helped blend everything seamlessly.</p>
<h3>Creating the Spice Particles</h3>
<p>No Dune-inspired shot is complete without spice floating in the air. I used ActionVFX <a href="https://www.actionvfx.com/collections/dust-particles-stock-footage">Dust Particles</a> and:</p>
<ul>
<li>Tinted them red-orange to match the look of spice.</li>
<li>Set the blending mode to Add for a glowing effect.</li>
<li>Adjusted speed and opacity for a more organic look.</li>
</ul>
<h2>Step 4: Enhancing the Shot with the Blue Eyes Effect</h2>
<p>In the <em>Dune</em> universe, exposure to spice turns a person’s eyes blue. To achieve this, I:</p>
<ul>
<li>Motion-tracked my eyes to keep the effect locked in place.</li>
<li>Used an <a href="https://www.actionvfx.com/collections/eye-textures-stock-footage">eye texture</a> from ActionVFX to enhance the vibrancy.</li>
<li>Created a blue solid layer and set it to Color blending mode.</li>
<li>Masked and feathered the eyes for a natural transition.</li>
</ul>
<p>This process required a lot of manual <a href="https://www.actionvfx.com/blog/how-to-do-motion-tracking-with-mocha-ae-beginner-friendly-after-effects-tutorial">tracking</a>, but the result was worth it!</p>
<h2>Step 5: Final Touches – Noise, Lens Flares, and Camera Shake</h2>
<p>To make the shot feel even more immersive, I added:</p>
<ul>
<li><strong>Organic Dust Motion</strong> – Using directional blur and noise textures, I made the foreground Blizzard Snow layers feel more like sand particles, and simulated the chaotic movement of dust particles in the wind.</li>
<li><strong>A Lens Flare</strong> – I used an <a href="https://www.actionvfx.com/collections/Icon-anamorphic-lens-flares-stock-footage">Icon: Anamorphic Lens Flare</a> from ActionVFX, tweaking the contrast and hue for a warm, cinematic glow.</li>
<li><strong>Subtle Camera Shake</strong> – Added a slight handheld effect for realism.</li>
<li><strong>Final Color Grade</strong> – Using DaVinci Resolve, I fine-tuned the colors for a more cohesive desert look.</li>
</ul>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x1080/d8474aea51/dune-vfx-shot.jpg" alt=""></p>
<h2>The Final Result</h2>
<p>After all these steps, the shot was complete! What started as a small room with a green screen became an intense, cinematic sandstorm straight out of Arrakis.</p>
<p>If you’re working on a project and need high-quality, ready-to-use VFX assets, ActionVFX has you covered. Whether it’s fire, rain, debris, or even spice-filled sandstorms, you can <a href="https://actionvfx.com/products">find the right assets</a> to bring your vision to life.</p>
<p>Now go make something awesome! And if you use any of these techniques in a project, drop a comment in the video—who knows, maybe you will be the next ActionVFX user accepting an Oscar. (P.S.<a href="https://www.actionvfx.com/blog/godzilla-minus-one-vfx-oscar-on-a-budget">You wouldn't be the first!</a>)</p>
<p><strong><a href="https://actionvfx.com/products">Explore VFX Assets</a></strong></p>
<p><strong>ActionVFX socials:</strong>
<a href="https://www.youtube.com/@ActionVFXofficial">YouTube</a> - <a href="https://www.facebook.com/actionvfx/">Facebook</a> - <a href="https://www.instagram.com/actionvfxofficial/">Instagram</a> - <a href="https://twitter.com/actionvfx?lang=en">X</a> - <a href="https://www.tiktok.com/@actionvfxofficial?lang=en">TikTok</a> - <a href="https://www.linkedin.com/company/actionvfx">Linkedin</a></p>


Armed with a few simple materials, a green screen, and some assets from ActionVFX, I created my own Dune-inspired shot in my at-home studio.

How I Recreated Dune: Part Two VFX in My At-Home Studio

Armed with a few simple materials, a green screen, and some assets from ActionVFX, I created my own Dune-inspired shot in my at-home studio with After Effects.

<p>When it comes to sourcing top-quality VFX assets, FX Elements and ActionVFX often appear in the same conversation. Both offer incredible tools for VFX artists, but which one is the better choice for your project? Let’s dive into the key differences, debunk some myths, and help you determine which option works best for your needs.</p>
<h2>FX Elements: A Good Option for Individual Clip Purchases</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/1849x669/298594e8ab/fx-elements-stock-footage.png" alt=""></p>
<p>FX Elements is a great solution for filmmakers who need one or two specific assets, especially for one-off clip purchases. Though their selection is much smaller than ActionVFX—ActionVFX adds an average of six collections per month to its <a href="https://actionvfx.com/products">growing library</a>—the assets available through FX Elements are high quality. With individual clips starting at $9 (just $0.90 less than ActionVFX), this platform caters to those with minimal requirements or tight budgets.</p>
<p>However, if you need more than one or two assets, ActionVFX is the better choice. Here’s why:</p>
<ul>
<li><strong>FX Elements has daily download limits.</strong> Unlike ActionVFX, FX Elements’ subscriptions restrict you to 15 downloads per day, which can be a bottleneck for larger projects.</li>
<li><strong>FX Elements has a smaller library.</strong> FX Elements offers fewer options overall, making it harder to find exactly what you need. The ActionVFX library, containing around 12,000 assets, is <a href="https://actionvfx.com/testimonials">regularly praised</a> for its wide selection of elements.</li>
<li><strong>Greater flexibility with ActionVFX.</strong> The ActionVFX <a href="https://www.actionvfx.com/blog/the-future-of-actionvfx">credits-based model</a> lets you choose only the assets you need, whenever you need them, without restrictions like download limits when using credits. Subscribers also get assets in the <a href="https://www.actionvfx.com/products/essentials-catalog">Essentials Catalog</a> for free (up to 20 downloads per day).</li>
<li><strong>All file types included with ActionVFX.</strong> With ActionVFX, you get access to all file and resolution types at no extra cost, unlike FX Elements, which charges more for additional file types.</li>
</ul>
<p>For projects requiring a broader selection of assets or the flexibility to download without daily limits, ActionVFX stands out as the superior choice, especially with an average of six new collections released per month.</p>
<p>Here's a cool testimonial video from Shirogumi, the team that produced Oscar®-winning <em>Godzilla Minus One</em>:
<iframe width="560" height="315" src="https://www.youtube.com/embed/rocH7GZIll0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>Myths About the ActionVFX Subscription</h2>
<p>There’s some <a href="https://www.filmmaker.tools/non-subscription-alternatives-to-actionvfx">misinformation floating around</a> about ActionVFX’s subscription model, so let’s clear things up:</p>
<p><strong>Myth 1: &quot;You’re forced to pay for assets you might not use.&quot;</strong></p>
<p><strong>Truth:</strong> The ActionVFX subscription gives you credits to spend on <em>any</em> asset in the library, putting you in control. You pay for credits, then spend the credits however you’d like. Other “free for subscribers” offerings do not add to the cost of the subscription.</p>
<p><strong>Myth 2: &quot;There’s less flexibility compared to pay-per-clip options.&quot;</strong></p>
<p><strong>Truth:</strong> This is true, only if you only need one asset total. With ActionVFX, you get what you need, when you need it. Credits make it easy to tailor your downloads to your current projects while saving significantly compared to individual purchases. Additionally, you can scale your plan by purchasing additional credits if you ever run out.</p>
<p><strong>Myth 3: &quot;ActionVFX limits downloads to a few per month.&quot;</strong></p>
<p><strong>Truth:</strong> While FX Elements has a 15-asset daily download limit, ActionVFX allows unlimited downloads when using credits. If you run out of credits, you can purchase more without needing to upgrade your plan. For Essentials Catalog assets, subscribers can download up to 20 assets per day.</p>
<p><strong>Myth 4: &quot;Assets are hidden behind a paywall after you subscribe depending on your tier.&quot;</strong></p>
<p><strong>Truth:</strong> Once you subscribe, you can spend your credits on <a href="https://actionvfx.com/products">any asset</a> in the ActionVFX library, including assets created by third-party contributor. No tiered access or restrictions.</p>
<p><strong>Myth 5: &quot;ActionVFX increased their prices.&quot;</strong></p>
<p><strong>Truth:</strong> The new ActionVFX subscription is a significant <em>price cut</em> for the vast majority of artists. While it’s not as cheap as our old Legacy subscription model, which we discontinued in 2023 due to its unsustainability for our business, most users save about 50% compared to our individual asset purchasing model, which we have used since our launch in 2016.</p>
<p>For example, individual 4k assets used to cost $39. Now, <strong>by spending credits, individual assets cost an average of $11.95, and as low as $9.90</strong>. Plus, when you download an asset, you get all available resolution types. <strong><a href="https://www.actionvfx.com/blog/the-future-of-actionvfx">Here’s a breakdown on how ActionVFX credits work.</a></strong></p>
<p><strong>Myth 6: &quot;ActionVFX is only for studios.&quot;</strong></p>
<p><strong>Truth:</strong> While many of our clients are studios, ActionVFX is a also great option for freelancers. Unlike most subscription models, we designed ours so that you keep what you download, even if you cancel. This allows all users to benefit from our library, even those who can only afford a one-time purchase.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x823/240438b0ca/free_vfx_and_pfl.jpg" alt=""></p>
<h2>Why the ActionVFX Subscription Stands Out</h2>
<h3>ActionVFX Has More Options, Higher Value</h3>
<p>The ActionVFX subscription includes all file types at no extra cost. This contrasts with FX Elements, which charges more for higher-quality files.</p>
<p>All ActionVFX subscribers also get free access to 1570 assets in the <a href="https://www.actionvfx.com/products/essentials-catalog">Essentials Catalog</a>. Subscribers can download up to 20 of these assets per day without spending any credits.</p>
<h3>ActionVFX Offers Incredible Savings</h3>
<p>One of the biggest advantages of ActionVFX credit plans is how much more affordable they are compared to individual purchasing. <strong>For just $59 per month, you gain access to assets that used to cost up to $195 when purchased individually.</strong> That means that as long as you plan to download more than one asset, the credits-based subscription is far cheaper than the old individual asset purchasing model.</p>
<p><strong>The math speaks for itself: subscribing saves you money and gives you more creative freedom.</strong></p>
<h2>With ActionVFX, Cancel Anytime and Keep Your Assets</h2>
<p>Unlike traditional subscriptions, with ActionVFX credit plans, you keep downloaded assets even if you cancel. This lets independent creators benefit from the savings a credit model provides without needing to maintain a monthly subscription during slow months.</p>
<h2>Is ActionVFX a Good Option for Independent Artists?</h2>
<p>Absolutely. ActionVFX understands that not every filmmaker works with a blockbuster budget. We also understand that your needs fluctuate throughout the year. Here’s how we solved that:</p>
<ul>
<li>Credits roll over for 12 months, meaning you can save up credits during slow periods to spend them as you need.</li>
<li>Don’t benefit from month-over-month credit accumulation? Subscribe for one month, spend your credits, then cancel. <strong>As long as you spend more than one credit, you’ll save $20 to $136 compared to our old individual purchasing model.</strong></li>
</ul>
<p><img src="https://a-us.storyblok.com/f/1002378/1879x657/e6b2a2d3b8/actionvfx-homepage.jpg" alt=""></p>
<p>As an independent artist, you can access the same high-quality assets used in blockbusters like <em>Godzilla Minus One</em>, <em>Stranger Things</em>, <em>Spider-Man: Far From Home</em>, <em>Avengers: Endgame</em>, and more—all without breaking the bank.
The responses to the OP in <a href="https://www.reddit.com/r/vfx/comments/1eoalu7/action_vfx_worth_it/">this thread</a> are great examples of how independent VFX artists use our assets. Read the comments!</p>
<h2>FX Elements or ActionVFX: Which One Should I Use?</h2>
<p>Both FX Elements and ActionVFX cater to different needs. If you require individual purchasing of a few assets, FX Elements is a great choice. But for anyone needing long-term value, a wide selection of assets, and consistent month-over-month project budgeting, <a href="https://actionvfx.com/testimonials">the ActionVFX subscription is a clear winner</a>.</p>
<p>With unparalleled savings, unmatched flexibility, and a library packed with professional-grade assets, ActionVFX continues to set the gold standard in the industry. So, is ActionVFX worth it? Absolutely. Give it a try and see the difference for yourself.</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/8pdx3QOkUmI" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>Black Friday: Save 30% on the ActionVFX Subscription</h2>
<p>During Black Friday (starting November 26th), you can <strong>get 30% off all ActionVFX credit plans.</strong> The best news? Those 30% <strong>savings last for 6 months</strong> if you’re on a monthly plan!</p>
<p>Here’s what else you’ll get:</p>
<ul>
<li><strong>30% off additional credits.</strong> This allows you to prepare for any additional assets you’ll need by getting extra credits beyond those provided in your subscription.</li>
<li><strong>Free Asteroid Pack.</strong> 20 CG asteroids available for free only during Black Friday!</li>
</ul>
<p><strong><a href="https://actionvfx.com/pricing">Visit pricing page</a></strong></p>
<h2>Purchase a Credit Plan</h2>
<p>ActionVFX is widely considered the industry's best library of VFX stock elements. If you're interested in trying out our assets, <a href="https://www.actionvfx.com/collections/free-vfx/category">check out our library of 650 free assets</a>!</p>
<p>To get a credit plan for access to our library of over 11,000 assets, visit our pricing page. <strong>Credit plans for Individuals start at $42 during Black Friday only!</strong></p>
<p><strong><a href="https://actionvfx.com/pricing">Get a credit plan</a></strong></p>
<p><strong><a href="https://actionvfx.com/products">Explore our VFX library</a></strong></p>
<p><strong>ActionVFX socials:</strong>
<a href="https://www.youtube.com/@ActionVFXofficial">YouTube</a> - <a href="https://www.facebook.com/actionvfx/">Facebook</a> - <a href="https://www.instagram.com/actionvfxofficial/">Instagram</a> - <a href="https://twitter.com/actionvfx?lang=en">X</a> - <a href="https://www.tiktok.com/@actionvfxofficial?lang=en">TikTok</a> - <a href="https://www.linkedin.com/company/actionvfx">Linkedin</a></p>


FX Elements vs. ActionVFX: Compare pricing, flexibility, and features to find the best VFX assets for your projects.

FX Elements vs ActionVFX: Is FX Elements a Good Alternative to ActionVFX?

How does FX Elements compare to the ActionVFX subscription?

<p>You shouldn't have to spend long hours cleaning up low-quality stock elements. When you're doing that, it feels like you're working <em>against</em> your project rather than moving it forward. For VFX artists, having reliable, high-quality assets isn't just a luxury; it's essential. But in a tough industry climate, balancing quality with affordability is more important than ever.</p>
<p>That's where <a href="https://actionvfx.com">ActionVFX</a> comes in. You deserve high-quality assets without being forced to break your bank. That's true whether you're an indie creator or run a large studio.</p>
<p>In this article, we'll highlight some of the top deals you can get at ActionVFX in 2025.</p>
<p>For reference, credits start at $9.90 for Individuals.</p>
<p><strong><a href="https://www.actionvfx.com/blog/the-future-of-actionvfx">Learn more about credits</a></strong></p>
<h2>8. Boat Wakes Water Simulations | 4 assets for 8 credits</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/d80b5887a9/boat_wakes_vfx_still_web.jpg" alt=""></p>
<p>Forget spending hours on water simulations. These pre-keyed boat wakes bring your shots to life quickly and cost-effectively—perfect for tight deadlines and big projects.</p>
<p>These pre-keyed boat wake assets have already made it to our bestseller list for 2024!</p>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/43138028a1/boat-wakes-water-simulation-looping.jpg" alt=""></p>
<p><strong>Number of Assets:</strong> 4
<strong>Price Per Asset:</strong> 2 credits
<strong>Price of Entire Collection:</strong> 8 credits</p>
<p><strong><a href="https://www.actionvfx.com/collections/boat-wakes-stock-footage">Download Collection</a></strong></p>
<h2>7. Fabric Squib Hits | 30 assets for 20 credits</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x1080/c3f5c5905b/fabric-bullet-hits.jpg" alt=""></p>
<p>Fabric bullet hits are finally here! This highly-requested collection gives you full creative control—match the fabric to your shot or swap in your custom wound textures.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/82cce0cebe/fabric-bullet-hits-with-matte.jpg" alt=""></p>
<p><strong>Number of Assets:</strong> 30
<strong>Price Per Asset:</strong> 1 credit
<strong>Price of Entire Collection:</strong> 20 credits</p>
<p><strong><a href="https://www.actionvfx.com/collections/fabric-squib-hits-stock-footage">Download Collection</a></strong></p>
<p><strong>Works Well With:</strong> <a href="https://www.actionvfx.com/collections/blood-splatter-stock-footage">Blood Splatter Vol. 1</a> (107 assets for 20 credits) and <a href="https://www.actionvfx.com/collections/bullet-hole-textures-vol-2-stock-footage">Bullet Hole Textures</a> (free for subscribers)</p>
<h2>6. Atmospheric Smoke &amp; Fog Vol. 3 | 46 assets for 30 credits</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/542a153657/atmos_smoke_fog_vol_3_vfx_scene.jpg" alt=""></p>
<p>Our <a href="https://www.actionvfx.com/collections/smoke/category">smoke and fog collections</a> are some of most popular assets due to their extensive use cases. This collection, our most popular atmospheric collection, offers 46 clips of realistic fog, including evaporation, lingering, and windy variations. Its versatility makes it a go-to for everything from eerie forests to gritty industrial backdrops.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/88c55b9aa1/actionvfx-fog-comparison.jpg" alt=""></p>
<p><strong>Number of Assets:</strong> 46
<strong>Price Per Asset:</strong> 2 credits
<strong>Price of Entire Collection:</strong> 30 credits</p>
<p><strong><a href="https://www.actionvfx.com/collections/atmospheric-smoke-fog-vol-3-stock-footage">Download Collection</a></strong></p>
<h2>5. Building Fire Essentials | 50 assets for 30 credits</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/2000x1125/d4c4ddce5a/building-fire-vfx.jpg" alt=""></p>
<p>This long-time favorite Variety Pack has all the assets you need to burn down a house or building in your shot. It includes 50 real fire assets from six of our best structure fire collections.</p>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/e2e409d421/building-fire-vfx.jpg" alt=""></p>
<p><strong>Number of Assets:</strong> 50
<strong>Price Per Asset:</strong> 1 credit
<strong>Price of Entire Variety Pack:</strong> 30 credits</p>
<p><strong><a href="https://www.actionvfx.com/collections/building-fire-essentials-stock-footage">Download Variety Pack</a></strong></p>
<h2>4. Body Fire | 50 assets for 30 credits</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/2000x1125/0b62acb15a/body-fire-vfx.jpg" alt=""></p>
<p>This bestselling collection has 50 real fire assets shaped for burning on heads, torsos, backs, and arms. Many of the clips also have chaotic winds to match actor movements.</p>
<p><strong>Number of Assets:</strong> 50
<strong>Price Per Asset:</strong> 1 credit
<strong>Price of Entire Collection:</strong> 30 credits</p>
<p><strong><a href="https://www.actionvfx.com/collections/body-fire-stock-footage">Download Collection</a></strong></p>
<h2>3. Rain | 35 assets for 20 credits</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/384711376a/rain_car_compv2.jpg" alt=""></p>
<p>If you're looking for some of the most essential collections to add to your personal VFX toolkit, this is a great one to start with since you'll use it regularly. It has 35 real falling rain elements with variations of rain intensity, distance, and wind amount. Plus, you can get the entire collection for only 20 credits!</p>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/5e020dcaf1/rain_depth_layeringv2.jpg" alt=""></p>
<p><strong>Number of Assets:</strong> 35
<strong>Price Per Asset:</strong> 1 credit
<strong>Price of Entire Collection:</strong> 20 credits</p>
<p><strong><a href="https://www.actionvfx.com/collections/rain-stock-footage">Download Collection</a></strong></p>
<p><strong>Works Well With:</strong> <a href="https://www.actionvfx.com/collections/rain-drops-on-ground-stock-footage">Rain Drops on Ground</a> (24 assets for 20 credits) and <a href="https://www.actionvfx.com/collections/rain-on-glass-stock-footage">Rain on Glass</a> (30 assets for 20 credits)</p>
<h2>2. Blood Hits | 45 assets for 20 credits</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x1080/48b3794122/blood-hits-vfx.jpg" alt=""></p>
<p>This collection of real blood hits is an essential for any projects using guns or gore, and it's one of our most popular collections. It includes 45 real blood hits and bursts with various angles and blood amounts. Priced at only 20 credits, you're getting more than 2 assets per credit when you download the entire collection.</p>
<p><strong>Number of Assets:</strong> 45
<strong>Price Per Asset:</strong> 1 credit
<strong>Price of Entire Collection:</strong> 20 credits</p>
<p><strong><a href="https://www.actionvfx.com/collections/blood-hits-stock-footage">Download Collection</a></strong></p>
<h2>1. Muzzle Flashes Vol. 2 | 116 assets for 20 credits</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/800x450/d0b684736b/muzzle_flashes_vol_2_vfx_shot-1.jpg" alt=""></p>
<p>This collection has 88 video and 28 still prekeyed muzzle flash assets assets from 12 different weapon types. All for only 20 credits, meaning you get almost 6 assets per credit!</p>
<p><strong>Number of Assets:</strong> 116 (88 video, 28 stills)
<strong>Price Per Asset:</strong> 1 credit
<strong>Price of Entire Collection:</strong> 20 credits</p>
<p><strong><a href="https://www.actionvfx.com/collections/muzzle-flashes-vol-2-stock-footage">Download Collection</a></strong></p>
<h2>Bonus (Free for Subscribers): Gas Explosions Vol. 1</h2>
<p><img src="https://a-us.storyblok.com/f/1002378/1920x1080/e37e299b5b/gas-explosions-vol-1-1.jpg" alt=""></p>
<p><strong><a href="https://www.actionvfx.com/products/essentials-catalog">The Essentials Catalog</a></strong> contains 1570 assets from 36 collections free for all subscribers with an <a href="https://actionvfx.com/pricing">ActionVFX credit plan</a>. And even if you cancel your plan, your assets from the Essentials Catalog stay on your account forever. Gas Explosions Vol. 1 contains 44 real explosion assets. Unlike many explosion collections, they're filmed vertically so that almost all of them stay completely in frame.</p>
<p><strong>Number of Assets:</strong> 44
<strong>Price Per Asset:</strong> Free for subscribers (20 downloads per day)
<strong>Price of Subscription:</strong> <a href="https://actionvfx.com/pricing">Starts at $59/month</a></p>
<p><strong><a href="https://www.actionvfx.com/collections/explosions-stock-footage">Download Collection</a></strong></p>
<h2>Why Does ActionVFX Use Credits?</h2>
<p>Freelancers and small teams need flexibility. That’s why our credit plans let you save up for busy periods while keeping costs manageable during slower months.</p>
<p>Here are a few key features of the ActionVFX credit plans:</p>
<ul>
<li><strong>Credits roll over for 12 months</strong>, allowing you to save and spend them as you need.</li>
<li>Save monthly costs by enrolling in a low-credit plan. If you need more credits, you can purchase additional credit packs.</li>
<li>Unlike previous ActionVFX subscription models, <strong>you're not locked into specific assets</strong>. Your credits can be used on any asset in our library.</li>
</ul>
<h2>Is ActionVFX a Good Option for Independent Artists?</h2>
<p>While our assets are regularly used by large studios, ActionVFX is also a great option for more budget-conscious independent creators. Even if you're not looking for a year-round subscription, you can still benefit from the savings that credits provide due to the design of the credit model.</p>
<p>Wish subscriptions didn't lock your purchases behind a second paywall? One of the benefits of our ActionVFX credit plans is that you get to <strong>keep any assets you download</strong>, even if you cancel your plan. <strong>This allows independent creators who can't afford a month-over-month subscription to still benefit from the lower cost of credit plans compared to individual asset purchasing, without needing to pay for credits each month.</strong></p>
<p>As long as you need more than one asset at a time, ActionVFX credit plans are a great option for you. These top deals of 2025 are great collections to start with!</p>
<p>Whether you're a solo creator or running a small team, ActionVFX’s credit plans are designed to help you save money without sacrificing quality.</p>
<h3>What is ActionVFX?</h3>
<p>New to ActionVFX? We are <a href="https://www.actionvfx.com/testimonials">praised</a> as the industry's best source for production-quality VFX assets. Our elements are regularly used in blockbuster movies, games, and TV shows. Most recently, <a href="https://www.actionvfx.com/blog/godzilla-minus-one-vfx-oscar-on-a-budget">the team at Shirogumi</a> used our assets to create the Oscar®-winning VFX in <em>Godzilla Minus One</em>.</p>
<p><strong><a href="https://actionvfx.com/products">Explore our VFX library</a></strong></p>
<p><strong><a href="https://actionvfx.com/pricing">Purchase a credit plan</a></strong></p>
<p><strong>ActionVFX socials:</strong>
<a href="https://www.youtube.com/@ActionVFXofficial">YouTube</a> - <a href="https://www.facebook.com/actionvfx/">Facebook</a> - <a href="https://www.instagram.com/actionvfxofficial/">Instagram</a> - <a href="https://twitter.com/actionvfx?lang=en">X</a> - <a href="https://www.tiktok.com/@actionvfxofficial?lang=en">TikTok</a> - <a href="https://www.linkedin.com/company/actionvfx">Linkedin</a></p>


Here's a compilation of some of the best VFX asset deals of 2025.

Best VFX Asset Deals of 2025

Create a wishlist with the top VFX asset deals of 2025.

<p>Our latest tutorial blew our minds.</p>
<p>Okay not really. But Wyatt, our Digital Content Creator, shows how he created a head explosion effect inspired by a scene from <em>The Boys</em>. All it took was a little work in After Effects and Blender with some <a href="https://www.actionvfx.com/collections/blood-gore/category">ActionVFX blood assets</a>.</p>
<p><strong>This tutorial covers:</strong></p>
<ul>
<li>Masking and tracking techniques with Mocha in After Effects.</li>
<li>Integrating ActionVFX blood assets with practical blood FX.</li>
<li>Using lens flares to add a flashing device.</li>
<li>Compositing gore and blood splatter in 3D.</li>
<li>Creating realistic camera shake.</li>
</ul>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/2kEP8YF76Tc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p><strong>VFX assets used:</strong></p>
<ul>
<li><strong><a href="https://www.actionvfx.com/collections/blood-hits-stock-footage">Blood Hits</a></strong></li>
<li><strong><a href="https://www.actionvfx.com/collections/blood-mist-vol-2-stock-footage">Blood Mist Vol. 2</a></strong></li>
</ul>
<p>If you enjoyed this tutorial, be sure to <strong><a href="https://www.youtube.com/@ActionVFXofficial">subscribe to our YouTube channel</a></strong> for more content like it!</p>
<h2>Best Blood and Gore VFX</h2>
<p>First time here? At ActionVFX, it's our mission to be the world's undisputed best library for visual effects stock footage. Our assets are regularly used in blockbusters, major TV shows, and game franchises like <em>Godzilla Minus One</em>, <em>The Walking Dead</em>, and <em>Spider-Man: Far from Home</em>.</p>
<p><strong><a href="https://actionvfx.com/products">Explore our library!</a></strong></p>
<p><strong>ActionVFX socials:</strong>
<a href="https://www.youtube.com/@ActionVFXofficial">YouTube</a> - <a href="https://www.facebook.com/actionvfx/">Facebook</a> - <a href="https://www.instagram.com/actionvfxofficial/">Instagram</a> - <a href="https://twitter.com/actionvfx?lang=en">X</a> - <a href="https://www.tiktok.com/@actionvfxofficial?lang=en">TikTok</a> - <a href="https://www.linkedin.com/company/actionvfx">Linkedin</a></p>


We recreated a head explosion from a scene in The Boys. Here's how we did it using After Effects and Blender.

Head Explosion VFX Tutorial | After Effects

Wyatt recreated a head explosion from a scene in The Boys. Here's how he did it using After Effects and Blender.

<p>Selecting the right <a href="https://actionvfx.com/3d">3D assets for your VFX project</a> is crucial for creating realistic and immersive experiences. Whether you're working on a film, video game, or architectural visualization, the quality and technical specifications of your chosen assets can make or break your project. This comprehensive technical checklist guides you through the process of choosing the best 3D assets for your needs.</p>
<h2>The Significance of 3D Assets in VFX and Animation</h2>
<p>The 3D assets you choose directly impact the viewer's experience and the effectiveness of your storytelling. Poorly made or incompatible assets can lead to visual inconsistencies, performance issues, and a subpar end result.</p>
<h2>Key Factors to Consider When Selecting 3D Assets</h2>
<p>When choosing 3D assets for your project, there are several critical factors to keep in mind:</p>
<h3>1. Compatibility with Your Software and Pipeline</h3>
<p>Ensure that the assets you select are compatible with your <a href="https://www.actionvfx.com/blog/a-comprehensive-guide-to-the-best-3d-vfx-software">preferred 3D software</a>, game engine, or rendering pipeline. Check the file formats, versions, and any specific requirements to avoid compatibility issues down the line. For example, if you're using Autodesk Maya, make sure the assets are available in .ma or .mb file formats or are provided in a universally compatible file format such as FBX or OBJ. Assets that seamlessly integrate into your existing workflow will save you time and minimize technical headaches.</p>
<h3>2. Polygon Count and Level of Detail (LOD)</h3>
<p>Consider the polygon count and <a href="https://www.actionvfx.com/blog/what-are-3d-assets-learn-more-about-3d-models-alembics-vdbs-and-more">Level of Detail (LOD)</a> of assets in relation to your project's requirements and target platform. Higher polygon counts result in more detailed assets but can also significantly impact performance, particularly in real-time applications like video games. It is crucial to find the right balance between visual fidelity and optimization to ensure smooth rendering and real-time performance.</p>
<p>Many 3D models, <a href="https://actionvfx.com/3d">such as those from ActionVFX</a>, come with multiple predefined LODs. If the model is further away from the camera, a lower LOD can be used. This setup helps manage rendering resources effectively, especially in complex scenes.</p>
<h3>3. Texturing and Materials</h3>
<p>Pay close attention to the <a href="https://www.actionvfx.com/blog/how-to-import-3d-models-with-udim-textures">texturing</a> and materials of the assets. High-quality textures with appropriate resolution and detail enhance the realism and visual appeal of your scenes. Look for assets with well-crafted PBR textures (Physically Based Rendering textures) that accurately represent the intended materials and surfaces.</p>
<p>For example, a realistic metal surface should have a properly authored specular map that reflects light accurately, while a character's skin should have subsurface scattering properties for a lifelike appearance. Notice the reflection properties in this still-frame shot of an <a href="https://www.actionvfx.com/3d/mig-29-fulcrum-fighter-jet-3d-model">MiG-29 Fulcrum Fighter Jet model</a>, for example.
<img src="https://a-us.storyblok.com/f/1002378/800x450/4310554b52/mig_29_fulcrum_fighter_jet_3d-model.jpg" alt=""></p>
<h3>4. Rigging and Animation</h3>
<p>If your project involves character animation, evaluate the rigging and animation setup of the character models. A well-rigged asset with properly named and organized hierarchy allows for easier animation and integration into your pipeline. Consider the flexibility and compatibility of the rigging system with your animation tools and techniques. For instance, if you're using a specific animation plugin or workflow, ensure that the character rig is compatible and can be easily manipulated within your pipeline.</p>
<h2>Understanding the Technical Aspects of 3D Assets</h2>
<p>Understanding the technical aspects of 3D assets is essential for making informed decisions during the selection process.</p>
<h3>1. Topology and Edge Flow</h3>
<p>Analyze the topology and edge flow of the assets, particularly for character models and organic shapes. A clean and optimized topology with evenly distributed polygons and logical edge loops facilitates smoother deformations, animation, and texturing. Well-constructed assets with proper topology reduce artifacts and ensure better performance.
<iframe width="560" height="315" src="https://www.youtube.com/embed/zSLELihVi6I" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h3>2. UV Mapping and Texture Density</h3>
<p>Examine the <a href="https://www.g2.com/articles/uv-mapping">UV mapping</a> and texture density of the assets. Properly laid out UV maps ensure accurate texture placement and minimize distortion. Consider the texture resolution and density in relation to your project's requirements. Higher resolution textures offer more detail but impact memory usage and loading times. Strike a balance that maintains visual fidelity while optimizing performance.</p>
<h3>3. Shading and Rendering</h3>
<p>Evaluate the shading and rendering settings of the assets. Look for assets that <a href="https://www.actionvfx.com/blog/mastering-your-3d-assets-essential-tutorials-shaders-and-resources">include appropriate shaders</a>, materials, and rendering parameters compatible with your rendering engine. Consider factors such as shader complexity, light interactions, and transparency to ensure the assets integrate seamlessly into your rendering pipeline and produce the desired visual results. If you're using a physically-based rendering (PBR) workflow, for example, make sure the assets include PBR-compatible textures that are compatible with your render engine.</p>
<p>Be sure to check out our <a href="https://www.actionvfx.com/3d/free-vdb-shader-3d-assets">free Blender Pyro Shader</a>.
<iframe width="560" height="315" src="https://www.youtube.com/embed/3DFteGwtky8" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>Selecting the Right 3D Assets</h2>
<p>Now that you understand the technical considerations, let's walk through the process of selecting 3D assets step by step.</p>
<h3>1. Define Your Project Requirements</h3>
<p>Begin by clearly defining your project's requirements and objectives. Determine the specific types of assets you need, such as characters, environments, props, or visual effects elements. Consider the art style, level of detail, and intended use of the assets within your project.</p>
<h3>2. Research and Evaluate Asset Libraries</h3>
<p>Explore reputable asset libraries and marketplaces, such as the <a href="https://actionvfx.com/3d">ActionVFX 3D Library</a>, to find a wide range of high-quality assets. Take advantage of search filters, categories, and tags to narrow down your options based on your project's needs. Read asset descriptions, view sample renders, and watch demonstration videos to assess the quality and suitability of the assets. Take the time to assess the asset's polygon count, texture resolution, materials, and overall visual fidelity to ensure it aligns with your project's requirements and quality standards.</p>
<h3>3. Test and Integrate Assets</h3>
<p>Before finalizing your selection, it can be helpful to test the assets within your project's context. Download <a href="https://www.actionvfx.com/3d/9mm-bullets">sample files</a> or purchase individual assets to evaluate their performance, visual quality, and compatibility with your pipeline. Integrate the assets into your scenes and assess how they interact with other elements, such as lighting, shading, and animation.</p>
<h3>4. Optimize and Iterate</h3>
<p>Once you've selected and integrated the assets, optimize them for your specific project requirements. Adjust texture resolutions, and shading settings to strike the right balance between visual fidelity and performance. Iterate and refine the assets as needed to ensure they seamlessly blend with your project's overall aesthetic and technical constraints.</p>
<h2>Invest in the Right 3D Assets</h2>
<p>Remember, investing in high-quality assets from <a href="https://actionvfx.com/3d">trusted sources like the ActionVFX 3D Library</a> can save you time, effort, and resources in the long run. Depending on your needs, it may be worth purchasing a higher-quality, flexible asset that can be used in several projects over investing in a low-quality 3D model that will only serve a single project.
<iframe width="560" height="315" src="https://www.youtube.com/embed/F9nRuRwd3cA" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>At ActionVFX, we are proud to be the industry leader in reliable, <a href="https://actionvfx.com/products">production-quality VFX assets</a>, and our <a href="https://actionvfx.com/3d">expanding 3D asset library</a> has already proved invaluable for 3D artists across the filmmaking, VFX, and gaming industries.</p>
<p><strong><a href="https://actionvfx.com/3d">Explore the 3D Library</a></strong></p>
<p>ActionVFX socials:
<a href="https://www.youtube.com/@ActionVFXofficial">YouTube</a> - <a href="https://www.facebook.com/actionvfx/">Facebook</a> - <a href="https://www.instagram.com/actionvfxofficial/">Instagram</a> - <a href="https://twitter.com/actionvfx?lang=en">X</a> - <a href="https://www.tiktok.com/@actionvfxofficial?lang=en">TikTok</a> - <a href="https://www.linkedin.com/company/actionvfx">Linkedin</a></p>


A comprehensive technical checklist for choosing high-quality 3D assets for VFX or animation projects.

Technical Checklist for Selecting 3D Assets

<p>If you’re looking for a <strong><a href="https://www.actionvfx.com/blog/vfx-careers-a-complete-guide-to-vfx-salaries-and-getting-started">creative job in the VFX industry</a></strong>, you probably know the importance of a VFX reel. Regardless of your highest level of education, the courses you took, or the companies you worked for, what matters to your potential employers is that you are a great artist. Most of the time, hiring managers are only going to review your CV if your reel looks good enough, so it’s critical that you have a great VFX demo reel!</p>
<p>Here are eight ways to avoid common mistakes when crafting your showreel.</p>
<p>You can also watch our top 3 tips here:
<iframe width="560" height="315" src="https://www.youtube.com/embed/bDrcnG8rfyg" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>1. Make a Strong First Impression</h2>
<p>Humans don’t have a long attention span. We have things to do, places to be, and, if you’re a VFX artist, movies to make! Hiring managers are no different, so make sure the first 10 seconds of your VFX reel are absolutely killer. While some recommend saving your best shots for last, your viewers probably aren’t going to stay long if the beginning isn’t engaging. Here’s what we recommend:</p>
<ul>
<li>Start off with a banger (your best or second best shot).</li>
<li>Follow that with another top shot.</li>
<li>Your concluding shot should be your second or third best shot.</li>
</ul>
<p>Think of the first seconds of your reel as a movie trailer opening—it’s there to grab your viewer’s attention. If they enjoy the trailer, they’ll want to see more.</p>
<p>Here’s a great example of a powerful opening from one of Alexandre Belbari’s animation reels. Notice how he starts off with an eye-catching comp and ends with an iconic scene from Guardians of the Galaxy.</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/97Cn1IlkFKU" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>2. Clear and Concise Contact Information</h2>
<p>Ensure that your contact information is prominently displayed and concise. A brief self-introduction card in the first 3-5 seconds can be effective, but keep it clear and to the point. Include only essential contact details, like your email and your phone number, or a LinkedIn or ArtStation link. Prioritize contact methods you check regularly to avoid missing opportunities.</p>
<p>Overloading this section with unnecessary information or links to seldom-checked social media can lead to missed connections, potentially costing you your dream job. Whatever you do, keep it clean! I would recommend placing your contact information at the beginning and end of the reel for easy reference.</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/AevNeJg2mjg" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>3. Emphasize Quality Over Quantity</h2>
<p>No matter how many times you’ve heard this, we’re going to emphasize it once again—there’s no room for mediocre shots in your reel. Don’t worry if you can’t make it exactly 2 minutes long. If you end up having around 1 minute of top-quality work, that’s just fine. Make sure every piece you add to your reel falls into the ‘my very best’ category. Don’t give your potential employer an excuse to question your skills!</p>
<p>If you can’t decide which of your shots deserve to be a part of the finest selection, ask your fellow artists for help. Every shot in your reel should make the person reviewing your application want to contact you right away.</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/1k57BmrKXkE" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>4. Detail Your Contributions</h2>
<p>For each project featured in your reel, include captions or a brief description that highlights your specific contributions, especially if you worked as part of a team. You probably have a few shots in your reel that you created with the help of other artists. When adding footage to your reel, remember to always give credit. This clarifies your role and skills to potential employers.</p>
<p>If you were part of a large production team, it's not essential to name every contributor. Focus instead on detailing your specific tasks within the project, such as &quot;Stranger Things 3: water simulation, lightning FX, lookdev.&quot;</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/bXcvNw8Jc2U" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>5. Keep Content Relevant and Recent</h2>
<p>As we’ve already said before, it’s not a disaster if your reel is not 2 minutes long. Sure, it’s cool to see your progress and watch how your style evolved, but the hiring manager wants to see what you can offer right here and now. Focus on including recent work that best represents your current skill level and style. Outdated or irrelevant work can detract from your reel’s impact.</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/drl6wn7JziM" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>6. Don't Overemphasize Music</h2>
<p>While <strong><a href="https://www.actionvfx.com/blog/the-power-of-music-how-sound-influences-your-film">a good soundtrack can enhance your reel</a></strong>, remember that the primary focus should be on the visual content. Choose music that complements your work without overshadowing it, and keep in mind that many viewers (including the hiring manager!) may watch with the sound off to focus on the visuals. So, don’t sweat the soundtrack too much. Luckily, there are numerous websites where you can find music under the Creative Commons license. With royalty-free music, you will also be able to upload your reel on YouTube, Vimeo, or any other website without the risk of getting a copyright strike.</p>
<h2>7. Include Breakdowns</h2>
<p>Even though it’s not mandatory, <strong><a href="https://www.actionvfx.com/blog/how-to-create-an-eye-catching-vfx-breakdown-or-showreel-that-will-set-you-apart">adding a quick scene breakdown</a></strong> for each shot can make your reel stand out by demonstrating your technical skills and understanding of the VFX process. This is especially beneficial when you have complex visual effects and compositing pieces. You can even insert concept arts for the scenes and effects you developed entirely by yourself.</p>
<p>Our friend Nick Chamberlain’s reel is a great example of this:</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/gxFkog9ehyw" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>8. Tailor Your Reel to the Job</h2>
<p>You might be a multi-talented digital artist who does animation, VFX, compositing, lighting, and everything in between. That’s great! But unless you’re applying for the role of a CG generalist or a CG supervisor, there’s no need to make your reel an all-in-one. Instead, customize your reel to highlight the skills that are most relevant to the position you are applying for.</p>
<p>When the employer is looking for a candidate with a particular skill, they don’t need to see everything else you are capable of—they want to know if you are excellent at that one thing they would need from you. So if the job opening says ‘Senior FX artist’, focus on your VFX shots, not on character rigging, asset modeling, lighting, etc.</p>
<p>Additionally, including information about the software you used for a shot can be a great way to highlight your relevant skills. For example, if you know a company is looking for Houdini artists and 90% of your work was made in Houdini, you should probably include that in the shot description!</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/36eApvAb810" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<h2>Additional Tips for Your VFX Reel</h2>
<p><strong>Feedback:</strong> Before finalizing your reel, get feedback from peers or mentors within the industry. Fresh eyes can offer valuable insights and suggestions for improvement.</p>
<p><strong>Presentation:</strong> Pay attention to the overall flow and pacing of your reel. It should be engaging from start to finish, with a good balance between showcasing your technical skills and your creative flair.</p>
<p><strong>Technical Quality:</strong> Ensure your reel is of the highest technical quality, with no compression artifacts or editing issues. This reflects your professionalism and attention to detail.</p>
<h2>Resources for Your VFX Reel</h2>
<p>Looking for high-quality background plates and VFX for your showreel? Look no further!</p>
<p>If you're looking for background plates for your reel, our <strong><a href="https://www.actionvfx.com/practice-footage">Practice Footage Library</a></strong> is a great place to start! It includes over 500 free, professional-quality practice footage clips filmed with compositors in mind.</p>
<p>Our library of over 10,000 VFX assets is considered the best in the world by the world's top VFX artists and studios. <strong><a href="https://actionvfx.com/products">Explore our VFX library</a></strong> or <strong><a href="https://actionvfx.com/pricing">become a subscriber</a></strong> today.</p>
<p><strong>ActionVFX socials:</strong>
<a href="https://www.youtube.com/@ActionVFXofficial">YouTube</a> - <a href="https://www.facebook.com/actionvfx/">Facebook</a> - <a href="https://www.instagram.com/actionvfxofficial/">Instagram</a> - <a href="https://twitter.com/actionvfx?lang=en">X</a> - <a href="https://www.tiktok.com/@actionvfxofficial?lang=en">TikTok</a> - <a href="https://www.linkedin.com/company/actionvfx">Linkedin</a></p>


Looking for a job in VFX? Here are eight ways to avoid common mistakes when creating your VFX demo reel.

How to Avoid Common VFX Reel Mistakes

We've curated a list of the top websites for filmmakers for stock footage sites, educational sites, and more.